If you have any suggestions or comments on the guidelines, please email us. We cannot post your review if it violates these guidelines.Avoid disclosing contact information (email addresses, phone numbers, etc.), or including URLs, time-sensitive material or alternative ordering information.Please do not use inappropriate language, including profanity, vulgarity, or obscenity. Be respectful of artists, readers, and your fellow reviewers.Feel free to recommend similar pieces if you liked this piece, or alternatives if you didn't.Are you a beginner who started playing last month? Do you usually like this style of music? Consider writing about your experience and musical tastes.Do you like the artist? Is the transcription accurate? Is it a good teaching tool? Explain exactly why you liked or disliked the product.Music must exist of itself … two, three notes … the essence must be there, independent of the instruments. If it were, I would be surrendering to the essence of the music. The particular timbre of an instrument is part of the music, but it is not the most important element. 'The highest virtue of music, for me, lies outside of its mere sound. Composed in Pärt's very own 'Tintinnabuli'-style, this piece allows many different settings because it is not bound to a specific klangfarbe (tone color). 'The highest virtue of music, fįratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer).
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March 2023
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